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Bride of Re-Animator
Doctors Herbert West and Dan Cain discover the secret to creating human life and proceed to create a perfect woman from dead tissue. And the bride is unleashed upon her mate in a climax of sensual horror.
3 October 1949, San Fernando, California, USA
20 October 1973, Ft. Lauderdale, Florida, USA
2 October 1936, Wimbledon, England, UK
9 September 1954, Oxnard, California, USA
15 December 1944, Brooklyn, New York, USA
April 11, 2016
"This is a largely uninspired rehash which fails to improve upon the superior original, stuttering along until the demented, anything goes finale."
March 26, 2009
The over-the-top acting that Gordon encouraged in Re-Animator is continued here with Combs particularly adept at the darkly comic throwaway line.
January 29, 2008
Could have been better but still a fine sequel.
August 30, 2004
Less a sequel to the critically praised 1985 horror film Re-Animator than a rehash based on the same H. P. Lovecraft stories.
October 31, 2003
If it lacks the intimate cohesion of the first film despite its desire to resurrect a feeling of doomed love, it at least isn't coy about ladling out the goodies.
August 21, 2009
It can't come up with any really great plot points that weren't covered in the original, so it rehashes them to a boring degree.
October 22, 2003
While Re-Animator has wit and audacity and gore and ferocity to spare, Bride of Re-Animator has gore... and the same actors.
January 01, 2000
Brian Yusna has replaced Stuart Gordon in the director's chair, without bringing new life to the affair. Even the jokes in the Woody Keith/Rick Fry screenplay seem refried, suggesting that all too much of this Bride is old and borrowed...
September 07, 2003
not particularly scary
August 21, 2009
Absolutely tasteless, glorious, gory fun with special effects from a crew of specialists who have, as one critic wrote, just gone abracadaver.
June 24, 2006
The excessive blood-spurting gruesomeness and cartoonish stop-motion effects trivialise the horror and undercut the would-be black humour in this travestied sequel to Stuart Gordon's hugely enjoyable film.
