Something went wrong
Try again later.
Christine The Movie
A classic car called Christine was purchased by Arnie and transported to a repair shop to restore the classic car in its new form. While Arnie is rebuilding the car, he will turn into a cocky teenager. Things change when Arnie turns into an selfish and jealous person from Christine who has become a wicked and supernatural person who kills everyone who poses a threat to them. Christine is the car that was born in Detroit but is not a normal car but a wicked one.
29 September 1956, Queens, New York, USA
27 March 1942, Berkeley, California, USA
December 6, 1939 in Springerville, Arizona, USA
10 April 1936, Austin, Minnesota, USA
2 December 1939, USA
26 September 1930, Los Angeles County, California, USA
4 July 1945, Reinbeck, Iowa, USA
May 20, 2003
Only a moderately engrossing film.
September 24, 2007
This deja vu premise [from the novel by Stephen King] combined with the crazed vehicle format, makes Christine appear pretty shop-worn.
April 14, 2011
Proves Carpenter's mastery of both mood and the widescreen frame.
February 09, 2006
Off the page, a 1958 Plymouth is no more scary than the St Bernard which romped through Cujo.
January 08, 2011
Slickly made dumb horror flick about a diabolical car and a nerd transformed into a lady killer.
April 26, 2016
I love Carpenter, and I like Christine well enough, but I'm not as enthusiastic about it as I am about other King films.
November 16, 2009
Fifties fetishism here is not nostalgia but critique, the cultural residue that deforms consciousness
October 23, 2004
This is the kind of movie where you walk out with a silly grin, get in your car, and lay rubber halfway down the Eisenhower.
May 06, 2008
Tight editing and some decent scares make this one of the better King adaptations.
December 09, 2013
Christine shows us what great filmmakers can do with flawed material, and how even their greatness can't solve every problem.
September 24, 2007
Carpenter's thematic self-consciousness can't entirely overcome a shaky dramatic structure that sacrifices character logic to increasingly meaningless thrills.

