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Creepshow
The film tells about a diverse and exciting selection that tells of five terrifying tales. These tales are based on popular comic books in the 1950s, which bear a kind of torture, murder, destruction and blood that are scattered again. These tales include one full-length feature, and the film may evoke fears of traditional bogeymen and the agony that awaited everyone.
19 May 1951, New York City, New York, USA
June1972, Hermon, Maine, USA
7 May 1906, Canton, Ohio, USA
23 June 1949, Pittsburgh, Pennsylvania, USA
15 June 1947, New York, USA
3 November 1946, Pittsburgh, Pennsylvania, USA
April 18, 2007
Unfortunately, it never quite gels.
August 30, 2004
Horror film purists may object to the levity even though failed, as a lot of it is.
March 26, 2009
George Romero, collaborating with writer Stephen King, again proves his adeptness at combining thrills with tongue-in-cheek humor.
July 16, 2010
Genuinely creepy, satirical and occasionally daft horror tales with a distinctly moral bent.
February 09, 2006
he old Amicus movies used EC originals to better effect and with more brevity, for all their cardboard sets.
October 30, 2008
All of the pieces of Creepshow come together in a smorgasbord of ghastly images, welcome humor, and solid, old-fashioned storytelling.
November 12, 2012
As much as I love and admire Romero's zombie pictures... I may love Creepshow just a little bit more.
June 20, 2008
The segments are consistent in quality and the film is still effective and entertaining.
October 23, 2004
Romero and King have approached this movie with humor and affection, as well as with an appreciation of the macabre.
October 15, 2007
This horror omnibus tickles the funny bone while stripping it of its flesh, so that hysterical laughter comes as fast as the frights and as thick as the blood.
October 16, 2012
One of the rare horror anthologies with a sharp sense of storytelling and an intrinsic ability for irony and metaphor...
April 18, 2007
This five-part film, based on the format of 50s horror comics, marks one of the few times George Romero has directed someone else's script (it's by Stephen King), and the results are only mildly interesting by the standards of his Dead trilogy.
