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Death Proof
Two separate sets of voluptuous women are stalked at different times by a scarred stuntman who uses his 'death proof' cars to execute his murderous plans.
18 April 1972, Boston, Massachusetts, USA
12 April 1974, Los Angeles, California, USA
11 May 1970, South Dakota, USA
12 August 1986, Caracas, Venezuela
24 April 1940, Corona, California, USA
24 February 1970, Boulder, Colorado, USA
April 10, 2008
"raja" koja voli Tarantina %u0107e imati itekako razloga da mu oprosti ovaj eksperiment.
March 24, 2014
By the end of the film, Tarantino delivers on the action with a car chase that will get anyone's engine revving.
September 21, 2007
Smart attention is paid to some interesting tensions between old and new in areas as varied as pop culture, photography, effects work, automobile construction, telephony and audio recording technology.
December 14, 2010
Tarantino's very bloody half of Grindhouse.
May 23, 2007
Although overall impact of Tarantino's homage to chick-driven actioners and auto demolition derbies remains about the same, pic's second half, in particular, benefits from the further detailing it's now received.
August 16, 2010
Freed from the constraints of the Grindhouse package, Death Proof can now spread out, find its proper rhythms, and emerge as another excellent Tarantino classic.
January 20, 2013
Death Proof doesn't simply comment on its genre inspirations - it adds to their very legacy.
July 17, 2010
A comprovação de que, nas mãos de um diretor que conhece a fundo a técnica e a história do Cinema, até mesmo um exercício de estilo sem grandes ambições pode representar uma experiência apaixonante para quem ama e respeita a Sétima Arte.
February 25, 2017
A mindless action film meant solely for Tarantino fans.
August 27, 2009
Clearly the work of somebody who has ingested Carol J. Clover's Men, Women, and Chainsaws, yet it is also more
November 03, 2012
As an anomaly, a curio, even as half a movie, it's a winner. As a stand-alone feature, it struggles to stand up to close scrutiny.
May 23, 2007
Much of this material is terrific in purely cinematic terms; one of Tarantino's saving graces as a filmmaker is his often surprising capacity for contemplative moments and patches of plotlessness.
