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El Infierno
Description
Benny gets extradited from US, and he returns to his country Mexico. He finds difficulty in acquiring a true job, as the majority is immersed in drug trafficking business. He follows suit and dives into the narco business where he immediately encounters wealth, women and brutality. Gradually he discovers that this life is not as easy as it may seem.
Benny gets extradited from US, and he returns to his country Mexico. He finds difficulty in acquiring a true job, as the majority is immersed in drug trafficking business. He follows suit and dives into the narco business where he immediately encounters wealth, women and brutality. Gradually he discovers that this life is not as easy as it may seem.
Actors:
Mauricio Isaac,
Gerardo Taracena,
Carlos Cobos,
Tony Dalton,
Noé Hernández,
José Concepción Macías,
Silverio Palacios,
Daniel Martínez,
Andrés Márquez,
Fermín Martínez,
Isela Vega
...»
Mauricio Isaac
Gerardo Taracena
1970, Mexico City, Mexico
Carlos Cobos
10 December 1958, Matamoros, Tamaulipas, Mexico
Tony Dalton
13 February 1975, Laredo, Texas, USA
Noé Hernández
José Concepción Macías
Silverio Palacios
Daniel Martínez
Andrés Márquez
22 February 1994, Mexico City, Distrito Federal, Mexico
Fermín Martínez
Isela Vega
5 November 1939, Hermosillo, Sonora, Mexico
Country:
Mexico
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Mauricio Isaac
Gerardo Taracena
1970, Mexico City, Mexico
Carlos Cobos
10 December 1958, Matamoros, Tamaulipas, Mexico
Tony Dalton
13 February 1975, Laredo, Texas, USA
Noé Hernández
José Concepción Macías
Silverio Palacios
Daniel Martínez
Andrés Márquez
22 February 1994, Mexico City, Distrito Federal, Mexico
Fermín Martínez
Show More
February 23, 2012
A master at sustaining his characters' likability even under grotesque circumstances, Estrada maintains an absurdist irony throughout.
March 16, 2012
The film flips quickly from funny and slow to extreme violence, but in the end it's plenty entertaining.
March 11, 2015
While the storytelling in El Narco is quite strong on the surface, what impressed me the most was Estrada's ability to weave social commentary into the film.
