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Grease 2
In an attempt to win the heart of Stephanie, a young beautiful high school girl and the leads the school gang of girls, who breaks up her relationship with Johnny lately, Michael Karington, an English high school student, does his best to catch her attention, but he struggles against Johnny who stands in his way.
30 April 1908, Mill Valley, California, USA
29 July 1947, Los Angeles County, California, USA
31 December 1960, Santa Clara, California, USA
20 October 1956
1957
9 October 1961, Los Angeles, California, USA
11 July 1931, New York City, New York, USA
June 26, 2007
A gloriously unpretentious gem just waiting to be discovered. That the film hasn't yet received the full respect it deserves only adds to its charm.
February 09, 2006
Sheer energy, a handful of good tunes (including a great theme song from the Four Tops), and some very funny one-liners save the day.
August 15, 2015
This movie just recycles Grease, without the stars, without the energy, without the freshness and without the grease.
August 15, 2015
Definitely of the so-bad-it's-almost-good genre, this kinda stands the test of time in a camp way, mainly because of the charm of Pfeiffer and Carrington.
August 15, 2015
Grease 2 is the most serendipitous sequel in recent memory. It is an ingratiating, jubilant improvement on a crummy original.
August 15, 2015
Grease is most emphatically not the word this summer.
August 30, 2004
Grease 2 is dizzy and slight, with an even more negligible plot than its predecessor had. This time the story can't even masquerade as an excuse for stringing the songs together.
March 14, 2013
As a sequel to "Grease" it's terrible, and as a musical on its own merits, it's absolutely abysmal.
July 06, 2010
Where this film has a decided edge on its predecessor is in the staging and cutting of the musical sequences.
December 18, 2010
Rizzo says "no" to this hacky sequel.
August 15, 2015
It doesn't work, but you could spend the time spotting relatives of the stars.
August 15, 2015
I don't mean to deny the self-evident second-rateness of the project, just to suggest that it's preferable to the third-rateness that has become the norm in the genre.

