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Hard Target
Natasha Binder is a girl who has been through a difficult situation since the beginning of the search for her missing father. Since arriving in New Orleans, Natasha has been trying to find a plan to find her father. Meanwhile, a very difficult man helps her in this seemingly exciting task. The man discovered that Natasha's father had been killed by a large organization to kill people and sell human organs. Events are changing and the job has become very exciting and difficult, and both of them may benefit from the New York police strike to reach their goal.
24 February 1961, St. Louis, Missouri, USA
13 November 1950, Devon, England, UK
20 January 1966, Mobile, Alabama, USA
27 September 1934, Salt Lake City, Utah, USA
24 September 1944, Copenhagen, Denmark
30 March 1959, New Orleans, Louisiana, USA
6 November 1937, Baltimore, Maryland, USA
6 November 1950, Westchester, New York, USA
January 02, 2004
Click to read review
January 01, 2000
Essentially, Hard Target is a risk-averse Van Damme vehicle, steered by many hands, and set on tracks leading directly to the delivery entrances of the country's video stores.
October 10, 2006
A disappointing American debut of the Hong Kong cult director John Woo is a decent action vehicle by standards of its star Jean-Claude Van Damme but, hampered by a B script and flat characters, it doesn't bear Woo's auteurist signature and unique vision
May 26, 2006
One of my greatest guilty pleasures.
August 30, 2004
Presenting Mr. Van Damme as reverentially as Sergio Leone did the young Clint Eastwood, Mr. Woo displays a real aptitude for malignant mischief, which is this story's stock in trade.
January 20, 2006
Hysterically inept attempt at action filmmaking
January 01, 2000
Woo, a master of stylized violence and explosive action, has had to buy into America's fascination with explosive effects and reaction. Something gets lost in the transition.
July 03, 2005
A combo of American Honk Kong actioners that fails to show John Woo's distinctive talent
May 12, 2001
Even when the acting is hammy, notably Wilford Brimley's turn as Chance's Cajun uncle, Woo stages every fight with hypnotic grace.
September 16, 2004
Should have been so much better.
November 02, 2008
Though working on a Jean-Claude Van Damme vehicle can be seen as a comedown for Woo, he rises to the occasion to create an often rousing entertainment that is almost inarguably Van Damme's best film to date.
June 24, 2006
It's what Hollywood wanted Woo for: bigger, brighter explosions.
