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Pain and Gain
Description
A trio of bodybuilders in Florida get caught up in an extortion ring and a kidnapping scheme that goes terribly wrong.
A trio of bodybuilders in Florida get caught up in an extortion ring and a kidnapping scheme that goes terribly wrong.
Actors:
Mike Benitez,
Scott Barry,
Emily Rutherfurd,
A.J. LoCascio,
Bill Kelly,
Lorenzo Toledo,
Owen Meyer,
Gregg Weiner,
Olga Bespalenko,
Douglas DeLisle,
Anthony Correa
...»
Mike Benitez
Scott Barry
Emily Rutherfurd
18 September 1974, New York City, New York, USA
A.J. LoCascio
Bill Kelly
Lorenzo Toledo
Owen Meyer
Gregg Weiner
Olga Bespalenko
Douglas DeLisle
Anthony Correa
3 September 1951, Havana, Cuba
Country:
United States
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June 27, 2014
An often hilarious black comedy with a nicely embedded moral.
April 26, 2013
This crude and ugly entertainment is as crass as everything this depressingly successful filmmaker has done.
January 03, 2014
Pain & Gain weighs about 700 pounds when it ought to weigh 2.
July 14, 2016
Not for the kiddies, this immensely entertaining flick is a hard-R romp through seedy South Florida.
May 02, 2013
In between scenes of the muscleheads torturing their victim, Bay indulges his taste for treating women as sluts and grisly brutality as a nifty excuse for a cheap laugh.
June 21, 2016
Maybe he's trying to do 'GoodFellas'-style dark comedy (the copious voice-overs would certainly suggest it), but put as charitably as possible, Bay is no Scorsese.
April 26, 2013
It's official. Michael Bay, director of the Transformers clobberfests, knows how to make movies about humans, too. The problem is, he thinks humans are robots.
April 16, 2016
Bay's worst film to date and the biggest piece of evidence yet in the case against him.
April 26, 2013
Now [Bay] hits new levels of both artistry and sleaziness in the black comedy Pain & Gain, which I strongly recommend if you don't overvalue taste, subtlety, and moral decency. I liked it.
May 05, 2015
Fargo for jerks.
December 16, 2016
The most shocking thing about the new Michael Bay film is... not the orange, grunting criminals pumping a) iron, b) fists and c) other people, but the gradual realisation that this could be Bay's most intellectual film yet.
August 27, 2013
The first hour may be Bay's career high point: it's fast, freaky, gloriously tasteless and startlingly pointed in its attacks on western insecurity, shallowness and greed.
