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Romper Stomper
Description
The film follows a group of skinheads. Nazi skinheads in Melbourne put their rivals who struggle them on local Vietnamese, who are seemed to threaten racial purity.
The film follows a group of skinheads. Nazi skinheads in Melbourne put their rivals who struggle them on local Vietnamese, who are seemed to threaten racial purity.
Actors:
Michael Ienna,
Samantha Bladon,
Craig Mercer,
Angus Cummings,
Keiko Clarke,
David Tredinnick,
Yvonne Lawrence,
Minh Lu,
Don Bridges,
Tri Phan,
Ann Morell
...»
Michael Ienna
May 2, 1984 in Sydney, New South Wales, Australia
Samantha Bladon
Craig Mercer
Angus Cummings
Keiko Clarke
David Tredinnick
Yvonne Lawrence
Minh Lu
Don Bridges
4 November 1950, Melbourne, Victoria, Australia
Tri Phan
Ann Morell
17 September 1943, USA
Country:
International
Keywords:
#Australian Film Commission #Daniel Pollock #Film Victoria #Geoffrey Wright #Jacqueline McKenzie #Romper Stomper #Romper Stomper Pty. Ltd. #Russell Crowe #The
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Movieline
January 09, 2002
Brutal but powerful.
May 04, 2010
Crowe is powerful and terrifying, and the erotic chemistry between Pollock and McKenzie is no less intense and enriched by strong performances by both.
June 09, 2008
Romper Stomper is A Clockwork Orange without the intellect.
Film Threat
December 06, 2005
Given his formidable presence and equal talent, it was only a matter of time before New Zealand-born, Australian-raised Russell Crowe made the mainstream American breakthrough he enjoyed with Gladiator.
January 01, 2000
Exploits the frustration, anger and violence of a despicable subculture while excusing the glorification of its hate aesthetic as necessary "reporting."
March 13, 2005
Romper Stomper is a convincing depiction of subculture, and one that dares to present these figures as real, troubled individuals rather than stereotypes.
May 04, 2010
For all the dynamism and drive, the film walks a fine line between exposure and outright exploitation -- wherein lies much of its appeal.
January 13, 2004
The film [has] a raw, sometimes discomfiting immediacy... The cast attacks their roles with matching intensity.
January 01, 2000
It's merely another violent art house picture, slumming modishly in the world of psycho-personalities, and exhibiting only occasional flashes of originality.
June 12, 2002
I like to think of it as a fury-filled documentary on how hate is not just an American preoccupation. Remember, this is the way things are -- deal with it.
Atlantic City Weekly
March 16, 2007
Crowe first shows his star quality
June 24, 2006
The cheap 'message' of the ending fails to salvage a film that at best is well-meant but misguided, at worst, flashy and garbled.

