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State Property
Description
The movie follows Beans and his crew, the ABM as they systematically and effortlessly bump off all their cemented rivals and take over the drug-selling operations, create mayhem as their empire builds in their hometown of Philadelphia.
The movie follows Beans and his crew, the ABM as they systematically and effortlessly bump off all their cemented rivals and take over the drug-selling operations, create mayhem as their empire builds in their hometown of Philadelphia.
Actors:
Letisha Wilson,
Leslie Pilgrim,
Cousin Ervan,
Andrea Videla,
Lenny Santiago,
Oria Rodriguez,
Big Shon,
Burt Bazin,
Constanza Casas,
Stephen X Baker,
Dee Lee
...»
Letisha Wilson
Leslie Pilgrim
Cousin Ervan
Andrea Videla
9 December 1975, Maracaibo, Venezuela
Lenny Santiago
Oria Rodriguez
Big Shon
Burt Bazin
Constanza Casas
Stephen X Baker
Dee Lee
Director:
Abdul Malik Abbott
Abdul Malik Abbott
Country:
United States
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March 19, 2002
A dull, simple-minded and stereotypical tale of drugs, death and mind-numbing indifference on the inner-city streets.
Dallas Morning News
February 28, 2002
A film of empty, fetishistic violence in which murder is casual and fun.
January 22, 2002
A shoddy male hip hop fantasy filled with guns, expensive cars, lots of naked women and Rocawear clothing.
New York Times
January 19, 2002
Lacks the visual flair and bouncing bravado that characterizes better hip-hop clips and is content to recycle images and characters that were already tired 10 years ago.
New Times
March 07, 2002
No one involved, save Dash, shows the slightest aptitude for acting, and the script, credited to director Abdul Malik Abbott and Ernest 'Tron' Anderson, seems entirely improvised.
San Francisco Examiner
March 19, 2002
The acting is amateurish, the cinematography is atrocious, the direction is clumsy, the writing is insipid and the violence is at once luridly graphic and laughably unconvincing.
January 25, 2002
... for all its social and political potential, State Property doesn't end up being very inspiring or insightful.
New York Post
January 21, 2002
Basically a static series of semi-improvised (and semi-coherent) raps between the stars.
