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The Killer
Description
The Killer centers on assassin Ah Jong, who accidentally damages the eyes of the singer Jennie during a shootout. In order to get the money to restore Jennie's vision, Ah Jong decides to perform one last hit, only to be double-crossed by his boss.
The Killer centers on assassin Ah Jong, who accidentally damages the eyes of the singer Jennie during a shootout. In order to get the money to restore Jennie's vision, Ah Jong decides to perform one last hit, only to be double-crossed by his boss.
Actors:
Yamson Domingo,
Hsiang Lin Yin,
Chuen Chiang,
Dion Lam,
Chung Lin,
Kenneth Tsang,
Hung Lu,
Yun-Fat Chow,
Fan Wei Yee,
Sally Yeh,
Siu Hung Ngan
...»
Yamson Domingo
Hsiang Lin Yin
Chuen Chiang
Dion Lam
Chung Lin
Kenneth Tsang
1 January 1938, Shanghai, China
Hung Lu
Yun-Fat Chow
18 May 1955, Lamma Island, Hong Kong
Fan Wei Yee
Sally Yeh
30 September 1961, Taipei, Taiwan
Siu Hung Ngan
Country:
Hong Kong
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April 16, 2015
Like any true artist, Woo didn't satisfy himself with merely copying his heroes: he transcended them with his own ideas and innovations.
March 01, 2007
A lot of claims have been made for this campy bloodbath concerto by Hong Kong director John Woo, and I must admit that he's even better than Brian De Palma at delivering emotional and visceral excess with staccato relentlessness.
April 07, 2010
For as over the top as [Woo's] shootouts tend to be, the ones in The Killer are some of his most excessive.
February 09, 2006
The most dementedly elegiac thriller you've ever seen.
April 29, 2009
Another of [Director] Woo's early masterpieces with Chow Yun Fat at the top of his game...
June 30, 2014
For all the bullets that are spent, The Killer spends just as much time ruminating on the likes of honor, friendship and even the allure of guns themselves
March 01, 2007
It's as much a doomed romance as a shoot-'em-up.
January 01, 2000
This is a rush of a movie.
October 23, 2006
Woo has cited Sam Peckinpah and Martin Scorsese as two of his influences, but he has established a touch all his own.
February 03, 2011
One of the few films to hold a legitimate claim to the title of Greatest Action Movie of All Time.
New York Times
February 11, 2006
The director repeatedly places the viewer at the center of the crossfire and turns the gyrating camera into the next best thing to a lethal weapon.
