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The Prince of Egypt
An Egyptian prince learns of his identity as a Hebrew and, later his destiny to become the chosen deliverer of his people.
1 January 1981, Washington, District of Columbia, USA
24 January 1955, McLennan County, Texas, USA
1 November 1962, Beason, Illinois, USA
3 October 1984, Stuart, Florida, USA
8 December 1987, Hollywood, California, USA
23 April 1986, Fresno, California, USA
26 March 1985
22 October 1952, Pittsburgh, Pennsylvania, USA
December 06, 2005
Much of the animation is stunning and all of the vocal performances are good to great. It's just much of the passion seems to be in not stepping on anyone's beliefs or interpretations, instead of in telling the story in the most compelling way possible.
July 21, 2005
The handsomely animated Prince of Egypt is an amalgam of Hollywood biblical epic, Broadway supermusical and nice Sunday school lesson.
March 19, 2008
The movie's proudest accomplishment is that it revises our version of Moses toward something more immediate and believable, more humanly knowable.
December 27, 2010
Well-told story that's careful not to offend.
March 19, 2008
The blend of animation techniques somehow demonstrates mastery modestly, while the special effects are nothing short of magnificent.
September 24, 2009
When Moshe encounters the burning bush and confronts a God who calls Himself I Am That I Am...it is almost as if the scene compels the audience to remove their shoes for holy ground is underfoot
July 12, 2002
Takes itself too seriously.
March 19, 2008
The angular animation and muted colour palette gives the film a look more redolent of classic European cartoons than their homelier American counterparts.
June 24, 2006
As epic, emotionally satisfying spectacle, it's way up there with the very best in mainstream animation.
September 22, 2007
Hyperactive and visually busy without being much fun.
January 23, 2011
It turns much too serious for its own good, though it otherwise is an entirely satisfying animated adventure story.
March 19, 2008
This is sensational cinema: crowds swarming among pyramids in eye-popping 3-D, camerawork that's distinctly Spielbergian in its fluidity.
