EPISODE
SEASON
The Newsroom - Season 3
In order to solve the mysterious crimes and cases in the world in an effective way, a group of young makes a team that analysis the news from the actual world by covering its all sides and reporting on them to be solved officially, as following the disaster of Genoa, they begin to take care on the following case.
14 August 1959, La Jolla, California, USA
22 December 1991, Los Angeles County, California, USA
9 October 1970, Elmira, New York, USA
8 September 1968, Charlotte, North Carolina, USA
25 June 1960, Pittsburgh, Pennsylvania, USA
November 05, 2014
Whatever one can say about The Newsroom, it's never boring.
November 10, 2014
At least The Newsroom is going out in a way that should make us remember it warmly.
November 11, 2014
It's been a year since The Newsroom graced our screens and I've missed the characters, 20/20 hindsight into the news and quick witted dialogue. As sad as I am to see it go, I'm going to enjoy every episode of this final ride.
November 07, 2014
It can be so good, so subtly knowing and funny, and then all of a sudden you can feel like you're trapped on a train car with someone who's ranting into his cell phone and not using his indoor voice.
November 11, 2014
Despite veering into heavy-handedness at regular intervals, The Newsroom remains -- at least, for devoted Sorkin-philes -- a meticulously crafted and beautifully acted drama that is unlike anything on TV since, well, Sorkin's last series.
November 05, 2014
The new season of The Newsroom is streamlined to its purpose, and Sorkin's issues of choice make the first three episodes a slow build to thrilling entertainment.
November 10, 2014
[Sorkin's] trying to do something else on Season Three of The Newsroom, and it's a pleasant surprise: he's emphasizing the maturation of a number of characters here.
November 06, 2014
Ripping start to the last leg.
November 11, 2014
This is the end of The Newsroom as we know it. Glad to see the final act getting off to such a robust start.
November 10, 2014
Season 3 is full of complications from the bonds formed among the journalists, both platonically and romantically, and holds up to Sorkin's grand dialogue mixed with pithy, yet telling, exchanges.
